11.22.63 by Stephen King

11.22.63 by Stephen King
My rating: 5 of 5 stars

Stephen King's books are a mixed bag -- some very good, some very bad, and some mediocre. This one, I think, is one of his best. It's also difficult to classify. It involves time travel, so perhaps it is science fiction, but the time travel is not the result of any scientific discovery, and its mechanism is never explained. Fantasy then? But no, everything else in the story, apart from the time travel, is pretty mundane In that respect, it most resembles The Time Traveler's Wife by Audrey Niffenegger. It's also, to some extent, a love story, so one could perhaps add "romance" to the list of genres covered.

In the story Jake Epping, a school teacher in Maine, USA, is told by his friend Al Templeton about a time gateway, and Al tries to persuade him to go back in time from 2011 to prevent the assassination of President John Kennedy in 1963. The gateway, however, will only take him back to 1958, so if he accepts the task it will take five years of his life.

It has an interesting plot, and I had a great deal of sympathy for the main characters, and even for several of the minor ones.

The story has a great deal of historical information about the assassination of President Kennedy, and to some extent that part of the story was familiar to me. The names Lee Harvey Oswald and his killer Jack Ruby were familiar, as were references to the "grassy knoll" and the Texas Book Depository, not from reading history, but from contemporary news reports.

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Utopia as Dystopia: R.A. Lafferty's "Past Master"

Past Master by R.A. Lafferty
My rating: 4 of 5 stars

A bit like Brave New World and 1984 on steroids.

Astrobe is the new Earth, and a paradise where poverty is unknown, and wealth and comfort are freely available to all. The paradise is marred, however, when increasing numbers of people, like the savage in Brave New World, reject this, and opt for a life of voluntary poverty, deprivation and disease.

A group of leading citizens decide to bring Sir Thomas More, the English lawyer and martyr who wrote the original Utopia from the past, as the eponymous "Past Master" to help them to solve this problem. More arrives, and discovers that the paradise is not all that it seems. Those who doubt the vision become the target of programmed killing beasts and are eliminated from the society, rather as More was eliminated from his own English society back in 1535.

The Astrobian Utopia has a far better surveillance system than 1984 and can detect treasonous thoughts before even the thinker is aware of them. This seems to be significant for the role of so-called "AI" in our current society, and it is worth reading for that reason. R.A. Lafferty raises the kind of questions we should be asking about "AI".

There are more interesting parallels with out society. In South Africa there is a widening gap between rich and poor, though in Astrobe it is large still yet entirely voluntary. Thomas More, after first encountering the contrast, remarks:

I was never an advocate of wealth and fineness. I believe fully in holy poverty. But I say that poverty is like drink: a little of it is stimulating and creative; too much of it is depraved and horrifying.

And More has a better name for what we misleadingly call "AI" -- eloquence machines.

At this one thing for which Astrobe has a hunger now, high oratory, we were the professionals and you are the amateurs. I know that you have analyzed the thing and broken the personal aura down into its elements. It is like chopping up a bird, but can you make a bird? Perhaps you can, since you made the Programmed Persons, but we recognize them as artificial. I know you have built intricate eloquence machines, man, but they ring false. The laughter of the people at them like autumn leaves blowing is evidence of this. I've heard the eloquence machines, and I've heard the people's response. I've heard human and programmed orators who have studied under the eloquence machines. I've heard a lot of things in one week on Astrobe. People are hungry for the real thing...

And then there was the tantalising hint of more: "Evita had been battling principalities and powers for a long time, and it showed on her. And yet she didn't appear more than seventeen."

The seeds of time: book review

The Seeds of Time by John Wyndham

My rating: 4 of 5 stars


In my youth I liked John Wyndham's science fiction stories, and when I picked this one off a dusty shelf to catalogue it on GoodReads, I decided to re-read it before putting it back. The seeds of time is a collection of short stories, and I had forgotten some of them, and had only vague memories of the rest, so it was almost like reading them for the first time. And I enjoyed them just as much as when I first read them some 40-50 years ago.

And that made me wonder.

When I was in my teens and twenties I read quite a lot of science fiction, both short stories and full-length novels. Now I hardly read any. On the rare occasions that I browse the science-fiction shelves of book shops I usually don't come away with anything. On the even rarer occasions when I have bought recently-published science-fiction, I've usually been bored, and abandoned the book.

Have I changed, or has the genre changed?

At first I thought that I had lost my youthful taste for science-fiction, and that it was probably something one grew out of, but re-reading these stories by John Wyndham showed me that that isn't the case. So the genre must have changed, or everything that can be said has already been said and the new stuff is just boring repetition. Or else, most likely, popular culture has moved on and left me behind. What a drag it is getting old, as the Rolling Stones (anyone remember them?) used to sing.



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District 9 versus Avatar

Last year I blogged about two science fiction films that had been nominated for Oscars: Oscar battle: District 9 versus Avatar |Khanya, though in the end neither of them won and the winner was a film that had a meaningless (to me) title The hurt locker.

I had seen District 9 when it was first released, and blogged about it here, but had not seen Avatar until it was shown on TV a couple of nights ago, so now, for the first time, I'm in a position to compare them, though I should probably watch District 9 again, as it's 18 months since I saw it.

I hadn't realised that Avatar was satire until I saw it. Most of the descriptions I'd read suggested it was a kind of parable of colonialism, and that while it was science fiction, and so broadly in the same genre as District 9 I didn't realise how directly comparable they were.

I enjoyed Avatar, but I think District 9 was better.

In District 9 the satire works at multiple levels, not least because it satirises the genre itself. In one scene, where the protagonist Wikus van der Merwe is driving a robocop-type machine, it could even be satirising Avatar. In District 9 there are no good guys, there are wheels within wheels and plots within plots and the satire is liberally splashed on everyone.

Spoiler altert - if you haven't seen Avatar, what follows gives away the plot

Avatar, by contrast, is much more simple. It is like an old-fashioned Western, where the white hats fight the black hats, and the white hats always win.

The plot can be summarised in one sentence: Redskins fight Palefaces; Redskins win and send Palefaces home.

Only in this case the redskins are blue, and "home" is another planet.

In District 9 the aliens are stranded on earth, in an anything but beautiful environment. In Avatar the earthlings themselves are the aliens, out to rape the planet of its mineral wealth and exterminate any natives that get in their way. The natives, Na'vi, live in a beautiful environment that the alien earthlings destroy, and it is an environment that earthlings cannot even live in. They can only enter it by creating remotely controlled avatars, using alien DNA - another parallel with District 9, where Wikus van der Merwe becomes contaminated with alien DNA, which makes him a desirable property to corporate and Nigerian gangsters.

On another level Avatar has parallels with C.S. Lewis's novel Out of the silent planet, which has the same theme of science and high finance in an uneasy partnership to exploit another planet, Malacandra (Mars). In Lewis's book the natives have a similar relationship to a planetary deity, the Oyarsa, as the Na'vi in Avatar have with their deity Eywa. But Out of the silent planet doesn't end with the same shoot-'em-up scenes as Avatar.

Avatar is entertaining and has a moral message, and no doubt deserved the Oscar it got for special effects, but it falls a long way short of District 9