Showing posts with label Tolstoy. Show all posts
Showing posts with label Tolstoy. Show all posts

18 July 2020

Lockdown reading: The Brothers Karamazov

The Brothers KaramazovThe Brothers Karamazov by Fyodor Dostoyevsky

My rating: 5 of 5 stars


Having just finished reading it for the third time, I up my rating from four to five stars. It took me three readings to really appreciate this book. Perhaps in part that is because it is a long and complex book with many characters and incidents, and it took me three readings before I could hold them together enough to follow the thread of the story properly.

I began re-reading The Brothers Karamazov this time partly because I had recently finished Resurrection by Leo Tolstoy, and wanted to compare them, and partly because I wanted to check on Dostoevsky's alleged views on Christian socialists (which turned out to be very different from what was alleged). I have dealt with those points in a blog post here Notes from underground: Dostoevsky and Tolstoy on Orthodox Christian worship.

And now, having reached the end of The Brothers Karamazov. I can perhaps take the comparison further, because it now seems clear to me that Tolstoy probably wrote User:Denghu, CC BY 3.0, Link title="Resurrection by Leo Tolstoy">Resurrection as a reply to, and perhaps as an intended refutation of The Brothers Karamazov.

Tolstoy was clearly the "woke" Russian author of his time, with a passion for justice. So he embarks on a crusade against against the injustice of the Russian criminal justice system, probing its weaknesses -- the fallibili8ty of its judges and judgements, the cruelty of its prisons, and so on.

Dostoevsky does not do this. He just describes, and lets the reader decide.

Tolstoy writes about injustice, with a passion for justice. But Dostoevsky writes about love, and justice is congealed love.

The Brothers Karamazov is, on one level, a crime novel, a whodunit. It is also a courtroom drama. It is also a love story, where the eternal triangle becomes the infernal pentagon. But it is also a story of resurrection and love and and reconciliation. And this is what shines through the character of the youngest Karamazov brother, Alyosha, whose love and goodness leads others to love, who leads schoolchildren and members of his own family to the beginnings of forgiveness and reconciliation where there had previously been hatred and enmity.

Tolstoy gave his book the title Resurrection, but the story of the resurrection of a dog in Dostoevsky is far more impressive that the story of the "resurrection" of the protagonist in Tolstoy's story.I get the impression that Tolstoy would give his body to be burned, but had not love (I Cor 13:3)

I am grateful to all the Orthodox priests of my acquaintance who, ignoring the rubric that says some prayers should be said by the priest sotto voce, have said aloud the prayer from the Liturgy of St Basil that contains the phrase "Preserve the good in goodness and make the evil be good by Thy goodness", for that is the main message of The Brothers Karamazov.



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30 June 2020

Dostoevsky and Tolstoy on Orthodox Christian worship

A few weeks ago I read Leo Tolstoy's novel Resurrection and in my review of it (see here: Notes from underground: Resurrection: prison and land reform) I mentioned that shortly after the book was published Tolstoy was excommunicated by the Russian Orthodox Church. I remarked that after reading the book I was not surprised by this, since it was clear from the book that he rejected and despised Orthodox Christianity and Orthodox worship.

Some people who read it asked me to say what Tolstoy had to say about Orthodoxy, and this post is a response to that request.

After I finished reading Tolstoy's novel I began re-reading Fyodor Dostoevsky's The Brothers Karamazov, which has more sympathetic descriptions of Orthodoxy and Orthodox worship. In this post I shall quote excerpts from both, and make comments on both.

In the first passage, from Dostoevsky, the monk Zossima, who is ill and near death, tells his fellow monks some of his recollections of his childhood.
But even before I learned to read, I remember first being moved to devotional feeling at eight years old. My mother took me alone to mass (I don't remember where my brother was at the time) on the Monday before Easter. It was a fine day, and I remember today, as though I saw it now, how the incense rose from the censer and softly floated upwards and, overhead in the cupola, mingled in rising waves with the sunlight that streamed in at the little window. I was stirred by the sight, and for the first time in my life I consciously received the seed of God's word in my heart. A youth came out into the middle of the church carrying a big book, so large that at the time I fancied he could scarcely carry it. He laid it in the reading desk, opened it, and began reading, and suddenly for the first time I understood something read in the church of God. In the land of Uz there lived a man, righteous and God-fearing...
And here is Tolstoy's description, from Resurrection:
The service began.

It consisted of the following. The priest, having dressed himself up in a strange and very inconvenient garb of gold cloth, cut and arranged little pieces of bread on a saucer and then put most of them into a cup with wine, repeating at the same time different names and prayers.

Meanwhile the deacon first read Slavonic prayers, difficult to understand in themselves and rendered still more incomprehensible by being read very fast, and then sang them in turn with the convicts. The prayers chiefly expressed desire for the welfare of the Emperor and his family. These petitions were repeated many times, separately and together with other prayers, the people kneeling. Besides this several verses from the Acts of the Apostles were read by the deacon in a peculiarly strained voice, which made it impossible to understand what he read, and then the priest himself read very distinctly a part of St. Marks Gospel, in which it is told how Christ, having risen from the dead, before flying up to heaven to sit down at His Father's right hand, first showed himself to Mary Magdalene, out of whom he had driven seven devils...

The essence of the service consisted in the supposition that the bits of bread cut up by the priest and put into the wine, when manipulated and prayed over in a certain way, turned into the flesh and blood of God.

These manipulations consisted in the priest, hampered by the gold cloth sack he had on, regularly lifting and holding up his arms, and then sinking to his knees and kissing the table and all that was on it; but chiefly in his taking a cloth by two of its corners and waving it rhythmically and softly over the silver saucer and the golden cup. It was supposed at this point that the bread and the wine turned into the flesh and blood: therefore this part of the service was performed with the utmost solemnity.
There are several notable differences between these descriptions.

The service Dostoevsky describes, though the English translator has called it "mass", is actually Vespers, which on the Monday of Holy Week is followed by the Liturgy of the Presanctified Gifts. In the Orthodox Church, though Vespers is normally an evening service, in Holy Week it is usually celebrated in the morning, by anticipation, hence the sunlight in the cupola.

St Mitrofan Church in Moscow

Doestoevsky describes the service through the eyes of one of his characters. Tolstoy describes it as the author, rather in the manner of a lecturer from the League of Militant Atheists instructing novices in militant atheism on the correct understanding of Christian worship.

Nowadays, in writing courses, novice writers are urged "show, don't tell". This is what Dostoevsky does -- he shows the reader through the eyes of one of his characters. Tolstoy is determined to tell the reader, and does this throughout his book. Tolstoy rarely lets his characters speak for themselves or think for themselves. He himself tells the readers what they think and what they are like. While "show, don't tell" may have become a bit of a literary cliché, or even a literary fetish, comparing Dostoyevsky and Tolstoy has shown me some of the wisdom in it.

The reason I started to re-read The Brothers Karamazov, however, is related to this point. Someone posted a link to an article about the dangers of Christian socialism, and quoted Dostoevsky as having pointed out the dangers:
Dostoevsky: Fear the Christian Socialist | The Voice Blog: by Chris Banescu –
“The socialist who is a Christian is more to be feared than the socialist who is an atheist.” ~ Fyodor Dostoevsky

Now Tolstoy might have said such a thing, but in Dostoevsky, that is not what Dostoevsky himself said -- it was something he put into the mouth of one of his characters (one who is not at all sympathetic to Christianity -- he started a lawsuit against a monastery to show how anticlerical he was). And this character, Peter Miusev, was quoting a head of the political  police in France. It's a bit like a Jewish author putting similar words into the mouth of an anti-Semitic character quoting a Gestapo chief as saying that Jewish socialists were more to be feared than atheist ones. Well he would, wouldn't he.

And so I started re-reading The Brothers Karamazov to remind myself what Dostoevsky's character Peter Miusev was like, because it is clear that in that linked article he is being quoted wildly out of context.

But I'll review that book in due course. For now the point is that Tolstoy shows himself as hostile to Orthodox worship, so he would really have no reason to worry about being excommunicated, since he made it very obvious that he did not value communion at all.

16 June 2020

Resurrection: prison and land reform

ResurrectionResurrection by Leo Tolstoy

My rating: 3 of 5 stars


A rather didactic and moralistic novel about fin de siècle prison conditions in imperial Russia. In many places it reads like a documentary. Tolstoy appears to be trying to do what Dickens did in a lot of his novels -- expose social evils -- but he has a heavier touch, and lacks Dickens's sense of humour.


Tolstoy's Resurrection has been sitting on our bookshelves for many years, along with a couple of other books of his, bought by my mother. I don't know if she read them, but I did not. The Covid-19 lockdown, however, with libraries and bookshops closed, drove me to look at the unread books on our shelves. I did try, once, about 30 years ago, to read War and Peace, but found it boring, as it opened with a conversation with a Freemason, and was all about the aristocracy. So much of what I knew of Tolstoy was other people's opinions. I had heard that he was a pacifist, which I liked, but other things that I had heard I liked less. So I began reading Resurrection without much hope that I would like it.

To begin with, I was pleasantly surprised. It seemed a much more interesting book than War and Peace. It includes the aristocracy, but the protagonist is an aristocrat with a social conscience, who takes an interest in the welfare of the peasants, and sees that many of their problems are caused by the lack of land. The land question is big in South Africa, and the way Tolstoy handles it I think makes it worth reading for South Africans, whatever one's view of land. Tolstoy's views were influenced by Henry George, an American who proposed a system of land reform not unlike advocated by the EFF in South Africa today, and in his novel Tolstoy looks at some of the pros and cons of that.

In this Tolstoy resembles Dickens, using his fiction to make his readers aware of social problems, but he lacks the humour of Dickens, and his light touch. At some points he goes in for rather heavy-handed moralising, analysing the spiritual failings of his characters at length rather than letting the reader see them through the story.

At some points Tolstoy could be commenting on current events. Last month the death of George Floyd at the hands of police officers in Minneapolis, USA sparked off worldwide protests against police brutality. There was talking of "defunding the police" and the Minneapolis city council was thinking of abpolishing its police force. Tolstoy would have applauded.

At one point in the story the protagonist, Nekhlyudov, witnesses prisoners marching to the station in summer heat to board the train for Siberia to serve out their sentences there. Several collapse because of heat exhaustion, and some die. Nekhlyudov, thinking about this, attributes it to the official mentality of the police:

"All this comes," thought Nekhlyudov, "from the fact that all these people -- governors, inspectors, police officers, and policemen -- consider that there are circumstances when human relations are not necessary between human beings. All these men, Maslennikov, and the inspector, and the convoy officer, if they were not governor, inspector, officer, would have considered twenty times before sending such a mass of people out in such heat -- would have stopped twenty times on the way and seeing a man growing weak, gasping for breath, would have led him into the shade, would have given him water and let him rest, and if an accident had still occurred, they would have expressed pity. But not only did they not do this, but they hindered others from doing it, because they thought not of men and their duty towards them but only of the office they themselves filled, and considered the obligations of that office above human relations. That is the whole matter," Nekhlyudov continued. "If once we admit -- be it only for an hour or in some exceptional case -- that anything can be more important than a feeling of love for our fellows, then there is no crime which we may not commit with easy minds, free from feelings of guilt."

Tolstoy is sometimes described as a Christian pacifist and anarchist, the inspiration for Gandhi and Martin Luther King. I am inclined to be a Christian anarchist and pacifist, but I don't feel much inspired by Tolstoy. His factual information is interesting, his moralistic rants less so. Among Rusan novelists, I prefer Dostoevsky, who raises some of the same issues, but not in quite such a didactic and preachy way.

Shortly after the publication of Resurrection Tolstoy was excommunicated from the Russian Orthodox Church, and after reading the book I am not surprised. Two chapters are devoted to a hostile parody of Orthodox worship, which Tolstoy says is "All lies",

Tolstoy says, not without justification, that what the prison system achieves is that
Ordinary simple men holding the social and Christian morality of the ordinary Russian peasant, lost this conception, and formed a new prison-bred one, founded chiefly on the idea that any outrage to or violation of human beings is justifiable if it seems profitable.
Yet the "social and Christian morality of the ordinary Russian peasant" came from the very worship that Tolstoy denounces and mocks in terms that nowadays would be called "hate speech".


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