In today's
Sunday Independent there is an interesting article by Mcebisi Ndletyana, which which he offers a defence of the song "Kill the Boer", which a high court judge recently declared was "hate speech".
Unfortunately I (or Google) could not find a version of Ndletyana's article on the web that I could link to, which is a pity, because it it worth reading for the historical background.
Ndletyana points out that the song is not racist in the sense of being anti-white, because the late Joe Slovo, who was white, used to sing it with great gusto. The song was not in my political repertoire, but I used to sing one that had similar references:
Mayibuye, mayibuye,
mayibuy' iAfrika
eyathathwa ngamaBhunu
sisasebumnyameni.
(Let Afrika return, which was taken by the Boers when we were still in darkness)
And, lest I be suspected of "Boerehaat", there was another verse that referred to "amaNgisi" (the English), in the same context.
But I nevertheless agree with the judge, and disagree with Mcebisi Ndletyana, in that I think that singing such songs now is an anachronism, and a sign of political immaturity. But maturity never was the strong point of the likes of Julius Malema.
Back in the bad old days of apartheid "amaBhunu" referred, pretty clearly, to the National Party government, alias the Apartheid Regime. And such songs were directed at encouraging people in the struggle against a hated and oppressive regime.
There are some paranoid people who believe that there is a deliberate campaign of genocide against white farmers in South Africa. Singing such songs at political rallies now tends to fuel such paranoia, and some appear to believe that the
recent murder of the notorious white supremacist Eugene Terreblance (ET) is further proof of the exiatence of such a conspiracy.
Malema's political idiocy also extends to attempting to hijack the Sharpeville massacre for the ANC, and to downplay the role of the PAC. His public utterances continually remind us that we no longer have people of the political stature of Robert Sobukwe with us.
The fact is that after 16 years of democracy, struggle songs like "Shoot the Boer" no longer mean what they once did.
But there are other, more serious indications of political immaturity.
That can be seen in the tendency to destroy buildings and damage property in protests over lack of "service delivery". Pretoria station was burnt down by angry commuters because trains were late. In another instance, Soshanguve commuters burnt trains because the trains were late, and then complained that there was no train service, when they themselves had destroyed the trains.
Back in the 1980s the apartheid regime erected the showpiece township of Ekangala, north of Bronkhorstspruit. Half of it was run by the KwaNdebele government, and half by the East Rand Administration Board, and which half one lived in made a big difference to one's right to live and work in urban areas. Residents burnt down the administration offices, which destroyed the records of who lived where. It was a direct attack on the system, and made political sense at the time, because the people concerned had no vote.
But now people do have a vote, and so it makes no sense to burn trains and public libraries and other public or private property. Local government elections are coming up, and if people are dissatisfied with service delivery, or with the performance of their municipal councillors, they now have a democratic remedy -- to organise people to vote them out. That is the way democracy works -- not by burning down libraries and stations.
Burning buildings and singing provocative songs made sense when there was a government did not have to listen because most of those it was oppressing had no vote. In fact part of the struggle was to ensure that everyone had the vote, and the political freedom to organise to toss self-serving politicians out. We've had that freedom for 16 years now, and it's time we began to use it.