The Zombification of America

 Last week a headline read:

Columbia University agrees to Trump administration demands to restore funding

Among other things Columbia University agreed to empower 36 campus officers with the power to make arrests. The university also agreed to stricter controls over its Middle East studies department, which will now be overseen by a new senior vice provost who "will conduct a thorough review of the portfolio of programs in regional areas across the University, starting immediately with the Middle East" (Eye Witness News, 22 March 2025).

Similar reports from other places indicate that institutions like universities in various parts of the USA are complying with the demands of the Trump regime without protest, even if the executive demands have no legal basis. They have, in effect, decided to play it safe and be politically correct. They are like burrowing apparatchiks, submissive to those they see as having more power, and bullying those (like their students) who have less power. 

This is a sad contrast to many South African universities, which, when the National Party government sought to impose apartheid on universities that had open admission policies, staff, students and university administrations stood together in protest. They stood together for academic freedom. That was after the National Party government had been in power for 11 years. In the USA the Trump regime had been in power for barely two months when universities and others were seen to capitulate to demands for political correctness.

In South Africa it was after 11 years of National Party rule. After 21 years, or 31 years of civil repression, protest was more muted, but was still there. Some did not bow the knee to Baal, and mindlessly capitulate to unjust demands, without questioning them. 

And it is this mindlessness that is the mark of the zombie. A zombie is a corpse that is reanimated by a witch to be a servant that does the witch's bidding. Since it is a corpse, the zombie is literally brain-dead. It has no living brain so it cannot question the witch's orders. 

More recently there has been a huge uproar in the media about the leaking of a US government plan to bomb Yemen. People are going on and on about how terrible it is to talk about it, especially in the hearing of someone who is not in the inner cabal itself.  Hardly a word is said about the morality of the bombing itself, that people are actually going to die. The talk about the deed is taken more seriously, and seen as more evil than the deed itself. They strain at a gnat and swallow a camel. 

It's yet another sign of zombification, which is well expressed in the Cranberries' song Zombie. Click on the link, listen to it, and weep.

Abyss by Paul Bryers
My rating: 4 of 5 stars

I discovered, after taking this book out of the library, that it was the third book in a trilogy, and I haven't read the first two, so I've missed much of the backstory, and I'm not really qualified to review it. What drew me to it was reading the blurb and seeing that it was more or less in the same genre as most of the books I've written and am writing, so I was interested in seeing how other people do it.

In this story Jade runs away from her boarding school in Cumbria, England, just before being expelled, and her foster mother Emily meets her, and they are then chased by Jade's real father, Kobal, and escape from him with some difficulty, and they are joined by a Benedict, a long-lived member of a miliary monastic order. Benedict believes that Kobal wants to use his seven children, by seven different mothers, for an evil purpose. He had gathered six of them, but Jade had escaped (presumably in one of the earlier books) and Kobal was looking for the seventh. So the three of them set out to travel to Romania, where they hope to find the seventh child.

It was quite a pleasant read, with lots of adventures during the travels, though the denouement was a bit over the top.

One of the things I found rather disappointing is that Jade, the main character has superpowers. In this case it was integral to the plot in that she was bred for this by her father, who wanted to use her and her siblings for nefarious purposes, so she was not altogether happy about having these powers, and would probably have been happier without them, and in the earlier part of the story she rather regretted use them against bullying school fellows.

It may be just me, having this aversion to superpowers, at least for my main characters. Perhaps that is what  most readers want. Perhaps they like to picture themselves as having superpowers, and that is the attraction of such books. I suppose I was a bit like that as a teenager too. Up to the age of 12 most of my reading was of things like Biggles and Enid Blyton's adventure stories. Biggles & Co had one super skill, which made them different from most people, and that was the ability to fly aeroplanes, but it was a skill that anyone who really wanted to might be able to learn. Enid Blyton's characters were ordinary children who got into trouble and ether got out of it by their own ingenuity or by the intervention of adults.

When I was 13, however, we stayed with friends whose son, then a university student, had a huge collection of comics which he had been dumped in the garage. There was a run of Hotspur covering several years, so I was able to read complete runs of several serial stories, with each weekly episode followed by the next. Several characters in those stories either had superpowers, or access to gadgets which, like Aladdin's lamp, gave them superpowers while the possessed it. Some of the plots involved how they lost and regained possession of the gadgets. And so I pictured myself, like Jade in this story, having such a gadget, and picturing myself using it as protection or revenge against schoolfellows I feared or disliked. It was really a kind of excuse for misanthropy. A couple of years later, when I was about 15, I got similar satisfaction out of reading Gulliver's Travels, a kind of "the more I see of some people, the more I like my horse kind of thing. But it seems there are some people who never grow out of the desire for superpowers, and I wonder if they grow up to be people like Elon Musk.

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The Comedians

The Comedians by Graham Greene
My rating: 4 of 5 stars

A group of travellers who meet on a ship sailing from New York to the Caribbean find their lives entwined long after they step ashore in Haiti, under the dictatorial rule of "Papa Doc" Duvalier and his dreaded secret police, the Tonton Macoute.

Brown, the narrator, is a hotelier, returning from an unsuccessful trip to New York attempting to sell the hotel, which he had inherited from his mother. Among his travelling companions are Mr and Mrs Smith, vegetarians hoping to establish a vegetarian centre in Haiti, and "Major" Jones, who turns out to be a con man. The Smiths stay at Brown's hotel, and make it their base for preaching the benefits of vegetarianism.

These expatriates are the comedians of the title, and at many points in the story I was reminded of Jean Genet's play The Balcony, where the setting is a brothel, and the clients are given an opportunity to act out their fantasies. So the comedians play their roles in a society in which everything seems unreal, like a stage set. Over it all hovers the spectral figure of Baron Samedi, the Voodoo lwa of the dead, who functioned (in real life as well as in the novel) as the evil genius of Papa Doc Duvalier.

Brown, who is having an affair with a diplomat's wife, wants to elope with her, but is trapped by, among other things, the corrupt bureaucracy of the authoritarian state, whose ministers tend to disappear when they fall out of favour, and whose bodies disappear even during their funerals.

Graham Greene manages to convey the atmosphere of an authoritarian state well, with the ruthless elimination of those perceived as enemies of the regime. Some of his descriptions of encounters with the Tonton Macoute reminded me of encounters with the South African Security Police 50-60 years ago. and actually contemporary with The Comedians. There are similarities between all authoritarian states, but there are also differences. One of the differences is ideology. Some totalitarian states have an official ideology, such as Communism in the USSR, Nazism in Hitler's Germany, Fascism in Mussolini's Italy. In South Africa the ideology was Apartheid, which grew out of Christian Nationalism. Apartheid didn't begin as an ideology. Under Dr Malan it was an election slogan and a principle to be opposed to that of the previous United Party government. Under J.G. Strijdom it was a policy. It only developed into a fully-fledged ideology under Verwoerd, after which the tendency was simply towards naked power.

In Haiti the progress toward naked power was more rapid and far-reaching, because the ideological roots were weaker. Papa Doc Duvalier doesn't make a personal appearance in The Comedians, but his ministers do, and what is most obvious about them in the book is the insecurity of their positions. They disappear, and their bodies are not found. The comedians of the title are the expatriate characters, but it could just as well be the whole society, the regime and its opponents.

And reading it now, when Donald Trump and his minions are doing a Papa Doc on the USA. makes the story more relevant. There is little ideology, other than a distorted vision of neoliberalism, And the model seems to be that of Humpty Dumpty in Through the Looking-Glass, and What Alice Found There: "the question is, which is to be master -- that's all." Like the apartheid regime, the Trump regime has the support of Christian Nationalists, but Christian Nationalism is not the ideology of the regime. Perhaps it is that Baron Samedi has migrated to the mainland, and is one of the few immigrants who is not in danger of deportation.
 
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